{"id":102,"date":"2025-12-12T10:26:19","date_gmt":"2025-12-12T10:26:19","guid":{"rendered":"https:\/\/lapanoplie.net\/?page_id=102"},"modified":"2026-09-05T14:44:04","modified_gmt":"2026-09-05T14:44:04","slug":"formations","status":"publish","type":"page","link":"http:\/\/lapanoplie.net\/en\/formations\/","title":{"rendered":"Workshops"},"content":{"rendered":"\t\t
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Formations<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Depuis plus de vingt ans, Jos Houben, Oria Puppo et Emily Wilson cr\u00e9ent des spectacles audacieux, dr\u00f4les et populaires. La Panoplie est n\u00e9e de leur rencontre pluridisciplinaire, \u00e0 la crois\u00e9e du visuel et du burlesque. Ils partagent aujourd’hui leurs outils de cr\u00e9ation et de construction \u00e0 travers des stages et ateliers ouverts \u00e0 un large public.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tous les stages sont bilingues fra\u00e7ais\/anglais<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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L'Usine \u00e0 Gags<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jos Houben<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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12 au 16 Octobre - 5 jours - 25 heures <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ce stage tout public ouvre les portes de l’univers du burlesque, du gag, de la chute. \u00c0 partir des conflits et confusions de la vie quotidienne, nous explorerons les d\u00e9calages et les accidents qui provoquent inlassablement le rire. Jos Houben<\/strong>, expert en l’art du burlesque, guidera les stagiaires dans l’acquisition des outils du genre et l’application de ces m\u00e9canismes pour la construction de petites sc\u00e8nes et de sketchs comiques.<\/p>

Stage tout public ouvert \u00e0 18 participant.e.s\u00a0<\/span><\/span><\/strong><\/p>

Aux Tr\u00e9teaux de France \u00e0 Aubervilliers, 93300\u00a0<\/span><\/span><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Espaces Mobiles<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jos Houben, Oria Puppo, Emily Wilson<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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4 au 8 Janvier - 5 jours - 25 heures <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ce stage entre jeu et sc\u00e9nographie, ouvert \u00e0 la fois aux com\u00e9dien\u00b7ne\u00b7s et aux sc\u00e9nographes, propose une immersion de cinq jours de pratique autour du dialogue entre corps, espace et jeu. \u00c0 travers des exercices pratiques, les participant\u00b7e\u00b7s exp\u00e9rimenteront des m\u00e9thodologies de travail qui permettent de g\u00e9n\u00e9rer de la dramaturgie et de l’action sc\u00e9nique \u00e0 partir de l’espace physique, et r\u00e9ciproquement de concevoir des espaces sc\u00e9nographiques \u00e0 partir du mouvement et du jeu.<\/p>

Stage ouvert \u00e0 18 participant.e.s (artistes de la sc\u00e8ne, sc\u00e9nographes, costumi\u00e8res etc.)<\/span><\/strong><\/span><\/p>

Aux Tr\u00e9teaux de France \u00e0 Aubervilliers, 93300<\/span><\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ecrire le Burlesque<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jos Houben<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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22 au 26 f\u00e9vrier - 5 jours - 25 heures <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Une bo\u00eete \u00e0 outils pratique pour l’\u00e9criture de la com\u00e9die physique : du gag \u00e0 la routine, de la routine au sketch, du sketch \u00e0 la sc\u00e8ne. Nous passerons la semaine \u00e0 \u00e9crire, en construisant \u00e0 partir de situations et d’enjeux cr\u00e9dibles, avec une \u00e9criture qui se fait en action, dans l’espace, par l’improvisation. Nous analyserons aussi des documents film\u00e9s pour apprendre \u00e0 regarder, transposer et cr\u00e9er.<\/p>

Stage ouvert \u00e0 15 artistes professionnel\u00b7le\u00b7s.<\/span><\/strong><\/span><\/p>

Aux Tr\u00e9teaux de France \u00e0 Aubervilliers, 93300<\/span><\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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La Pr\u00e9sence Incarn\u00e9e<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jos Houben - Emily Wilson<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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20 au 22 Mars - 3 jours - 15 heures <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Une formation pour toute personne amen\u00e9e \u00e0 \u00eatre devant un public, souhaitant d\u00e9velopper sa confiance, son aisance et la qualit\u00e9 de sa pr\u00e9sence. \u00c0 travers des outils issus du th\u00e9\u00e2tre et des exercices inspir\u00e9s de la m\u00e9thode Feldenkrais, les participant\u00b7es apprendront \u00e0 g\u00e9rer le trac, d\u00e9passer leurs r\u00e9actions li\u00e9es \u00e0 l’anxi\u00e9t\u00e9, et occuper l’espace avec calme et clart\u00e9.<\/p>

Stage ouvert \u00e0 15 participant.e.s, tous m\u00e9tiers confondus.<\/span><\/strong><\/span><\/p>

Aux Tr\u00e9teaux de France \u00e0 Aubervilliers, 93300<\/span><\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Farce Majeur<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jos Houben - Oria Puppo - Emily Wilson<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mai\/Juin 2027 (dates \u00e0 venir) - 10j- 50h<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Satire, quiproquos et portes qui claquent : la farce est un art de la r\u00e9action \u00e0 haute intensit\u00e9, du th\u00e9\u00e2tre m\u00e9di\u00e9val \u00e0 Feydeau en passant par Dario Fo. En explorant des textes fondamentaux et des principes de jeu, nous chercherons les lois qui gouvernent ce style pour construire une \u00e9criture et un jeu contemporains \u2014 et nous demander o\u00f9 se niche la farce d’aujourd’hui.<\/p>

Formation ouverte \u00e0 18 artistes professionnel\u00b7le\u00b7s<\/strong>\u00a0 Inscriptions ouvertes d\u00e8s le 1er octobre<\/strong><\/p>

Aux Tr\u00e9teaux de France \u00e0 Aubervilliers, 93300<\/span><\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Landscapes of Laughter<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jos Houben - Emily Wilson<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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29 March-9 April - 10 days - 50 hours <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An in-depth exploration of the principles behind the different styles of comic theatrical writing \u2014 from clown and the absurd to slapstick, Commedia dell’arte and Bouffon. Starting from physical play, we will discover the driving forces behind each style, then move through improvisation toward writing short scenes.<\/p>

Workshop in English open to 20 participants.\u00a0<\/span><\/strong><\/span><\/p>

In collaboration with Le Samovar<\/span><\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tInfos \u00e0 venir<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Ce que nos stagiaires disent<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00ab Un grand merci ! Tout ce regard propos\u00e9 est immens\u00e9ment passionnant et tr\u00e8s rare. Quel plaisir de partager ces d\u00e9licieuses trouvailles\u2026 \u00c0 refaire encore et encore ! \u00bb<\/em> \u2014 participant, stage de burlesque Mars 2026<\/p>

\u00ab Merci beaucoup pour votre g\u00e9n\u00e9rosit\u00e9 dans la p\u00e9dagogie et l’importance de l’humanit\u00e9 dans l’art que vous transmettez\u2026 On a envie de travailler tout le temps comme \u00e7a ! \u00bb<\/em> \u2014 participant, stage de clown Janvier 2026<\/p>

\u00ab P\u00e9dagogie remarquable. \u00bb<\/em> \u2014 participante, stage de clown Janvier 2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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La certification qualit\u00e9 a \u00e9t\u00e9 d\u00e9livr\u00e9e au titre de la cat\u00e9gorie d'action suivante : ACTIONS DE FORMATION<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Formations Depuis plus de vingt ans, Jos Houben, Oria Puppo et Emily Wilson cr\u00e9ent des spectacles audacieux, dr\u00f4les et populaires. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-102","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/lapanoplie.net\/en\/wp-json\/wp\/v2\/pages\/102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/lapanoplie.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/lapanoplie.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/lapanoplie.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lapanoplie.net\/en\/wp-json\/wp\/v2\/comments?post=102"}],"version-history":[{"count":21,"href":"http:\/\/lapanoplie.net\/en\/wp-json\/wp\/v2\/pages\/102\/revisions"}],"predecessor-version":[{"id":734,"href":"http:\/\/lapanoplie.net\/en\/wp-json\/wp\/v2\/pages\/102\/revisions\/734"}],"wp:attachment":[{"href":"http:\/\/lapanoplie.net\/en\/wp-json\/wp\/v2\/media?parent=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}